Siters of Missionaries of Charity

Statue of Saint Teresa in the National Shrine, Washington DC (Photo: T. V. Antony Raj)

At every canonization ceremony in the Catholic Church, people connected to the new saint carry to the altar a relic in a reliquary which is often an ornate work of art in gold or silver.

A relic is a keepsake, a tangible reminder that the new saint was human yet heroically lived a life of holiness.

The relic may be the purported or actual physical remains of saints, such as bones, pieces of clothing, or some object associated with saints or other religious figures. The authenticity of any given relic is often a matter of debate; for that reason, some churches require documentation of the relic’s provenance.

In the Catholic Church, a reliquary, also known as a shrine or by the French term châsse is used as a container for relics.

The reliquary containing the relic of Saint Teresa

The relic presented at the Mass for St. Teresa of Calcutta was a few drops of her blood contained in a phial embedded within the centre of a wooden reliquary in the form of a simple cross reflecting her life and values.

The back of the cross-shaped reliquary is made from Lebanon cedar (Cedrus libani), a species of cedar native to the mountains of the Mediterranean region, known as a symbol of nobility and spiritual greatness.

The front of the large cross is made of wood taken from places associated with Mother Teresa’s works of mercy: The first home for the dying she established in Calcutta, a home for those with Hansen’s disease, an immigrants’ boat, a Gypsy shack, and wood from the kneeler of a confessional because Mother Teresa believed the “Sacrament of Penance” also known as “Confession” or “Reconciliation” was the greatest expression of God’s mercy.

In the centre of the cross, the phial of Mother Teresa’s blood is sealed in a glass orb in the shape of a water drop as a symbol of her vow to quench the thirst of those literally without water and those dying in the aridness of being unloved.

A roughly sculpted wrinkled hand supports the glass to symbolize that it carries this drop of water, full of love, in response to the cry of Jesus “I thirst” on the cross echoed by millions of people around the world.

The religious dress of the Missionaries of Charity bears special significance. The white colour of their sari stands for truth and purity and the three blue borders each signify the vows that the nuns of the Order take: the first thin band represents “Poverty”, the second thin band represents “Obedience”, and the third broad band represents the vows of “Chastity” and of “wholehearted free service to the poorest of the poor”.

The water drop on the reliquary is framed by a heart of three sweeping bands of blue on the left and a white band on the right to symbolize the sari St. Teresa adopted as a habit for her sisters of Missionaries of Charity as well as to express devotion to the Blessed Virgin Mary.

The three sweeping bands of blue on the left side of the heart are curved and bent to represent St. Teresa’s own curved form bent in prayer. The white band on the right side of the heart displays the words, “I thirst“ in gold, reproduced in St. Teresa’s handwriting.

The base of the reliquary is made of battered iron to represent how society always sees the poor people whom Mother Teresa loved with her whole heart.

RELATED ARTICLES

Reliquary (en.wikipedia.org)
Sacrament of Penance (en.wikipedia.org)
The Road to Sainthood of Mother Teresa of Calcutta (tvaraj.com)
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Mother Teresa (en.wikipedia.org)
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By T. V. Antony Raj

At the end of life, we will not be judged by how many diplomas we have received, how much money we have made, how many great things we have done. We will be judged by “I was hungry, and you gave me something to eat, I was naked and you clothed me. I was homeless, and you took me in.”
– Saint Teresa of Calcutta

Mother Teresa - A painting by Mark Sanislo — Mother Teresa – A painting by Mark Sanislo

Mother Teresa of Calcutta, the “nun of the gutters”, a champion for the poor, the dying and the unborn died on September 5, 1997.

Scarcely two years after her death Monsignor Henry D’Souza, the then Archbishop of Calcutta, requested Pope John Paul II to dispense with the five-year waiting period required before beginning the process of beatifying and canonizing Mother Teresa.

As a fitting climax to a process that stretched on for almost 19 years, Pope Francis on Sunday, September 4, 2016, a day before Mother Teresa’s 19th death anniversary, formally declared Mother Teresa, as the newest saint of the Catholic Church at a ceremony that drew 100,000 pilgrims from around the world to St Peter’s Square in Vatican City.

“For the honour of the Blessed Trinity, the exaltation of the Catholic faith and the increase of the Christian life, by the authority of our Lord Jesus Christ, and of the holy Apostles Peter and Paul, and our own, after due deliberation and frequent prayer for divine assistance, and having sought the counsel of many of our brother bishops, we declare and define Blessed Teresa of Calcutta be saint and we enroll her among the saints, decreeing that she is to be venerated as such by the whole Church. In the name of the Holy Father, and of the Son, and of the Holy Spirit.“

Pope Francis, however, acknowledged that despite the fact she now has a formal title as “Saint Teresa of Calcutta“, she will always remain “Mother Teresa” to the world. The pontiff said:

“We may have some difficulty in calling her ‘Saint’ Teresa, her holiness is so near to us, so tender and so fruitful that we continue to spontaneously call her “Mother”. She made her voice heard before the powers of this world so that they might recognize their guilt for the crime – the crimes of poverty they created.”