Tag Archives: cinema

What Do American and Indian Movies Teach Us?


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Myself By T.V. Antony Raj .

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Most of us are fools, for having nothing better to do than watch movies and soap operas, glued to the ‘idiot-box’. Here are a few things that I learned watching movies especially the American and Indian varieties.

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American movies teach us:

01. More than 50% of the US population work for the US government and are invariably FBI or CIA agents.

02. The people belonging to communist or Islāmic countries are morbidly insane. Their sole purpose in life is to spy on US and kill god fearing innocent Americans.

03. The main purpose of the school system of US is to promote American Football, Basketball and Baseball.

04. All Chinese, Japanese and Koreans have nothing better to do than teach or practice Judo, Karate, or Kung Fu.

05. The Aliens from outer space either look like Steven Spielberg’s lovable serene ET or have a face with tentacles as in Schwarzenegger’s Predator and drool and salivate like mad dogs. Their blood is never red.

06. Aliens from outer space show special interest in US than any other country in the world. The UFOs always attack the Empire State Building first and then the White House. The US president will immediately board the Air Force One to escape the wrath of the aliens.

07. It is dangerous to travel to sparsely inhabited townships in the US even during day time because they might be inhabited by zombies.

08. Never wander on lonely roads and woods in US at night because they harbor werewolves and vampires.

09. The DNA information of each US citizens is available in the National DNA database of the DNA Profile Databank.

10. All Americans are anti-racists.

Indian Tri-Colour flag
Indian movies teach us:

01. The hero will have at least one main sidekick who is always given the role of a comedian.

02. If the heroine too has a sidekick then our hero’s sidekick will invariably tie the wedding knot on this woman in the last scene.

03. All heroes and heroines in Indian cinema know to sing and dance gracefully. When they decide to dance, the scene will shift to a foreign country and a group of
local or foreign guys and girls in uniform will appear from nowhere, and dance along with them, with everyone knowing the steps. After the song is over, the dancers will vanish into thin air.

04. One of the identical twins is always ill-natured.

05. In most cases if the hero is a police inspector than he is sure to arrest a college girl, pickpocket or a club dancer. He then tames the shrew, falls in love with her and
marries her with the blessing of his single mother.

06. Initially, all Indian heroes will get thrashed and flipped about like stuffed toys by the main villain, but our hero will never feel or show pain or sustain any fracture even when beaten with iron rods. The hero will profusely bleed from his mouth but will have all his teeth intact. However, he will wince when the heroine tenderly touches or cleans the clotted blood on his mouth.

07. The main villain is ever surrounded by at least a dozen thugs who clench their fists and grimace trying to look villainous.

08. The hero will single-handedly beat dozens of thugs and finally the main antagonist. Not even his best friend, the sidekick, will come to his aid to fight the villains.

09. While defusing a bomb, the hero or the heroine or the sidekick comedian will always cut the correct wire just one second before the scheduled explosion of the bomb.

10. A detective or a police officer can solve cases only when suspended from duty.

An item common to both American and Indian cinema:

While the hero kills and mauls hundreds of villains on the home front or in battlefields, bullets only graze him.

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Some Mothers Still Do Have ‘Em!


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Myself . 

By T.V. Antony Raj
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Senthil: Tamil Cinema comedian, Tamilnadu, India.
Senthil: Tamil Cinema comedian, Tamilnadu, India.

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Actor Senthil, a popular cine comedian in the South Indian cine field particularly in Kollywood, Tamilnadu, India has acted in many popular movies with several leading actaors and comedians.

Senthil was born on March 23, 1951, in Ilanjambore, a small village near Mudukulathur, Ramanathapuram District, Tamilnadu. Since he was an unruly boy, he was constantly scolded by his father. At the age of 12, he ran away from home. He first worked in the shop of a cooking oil vendor. Later he worked as a bar attendant in a private wine shop. Interested in acting, he joined a drama troupe where he developed his acting skills. He received small roles in the Tamil film industry in Chennai.

The movie Malayoor Mambattiyan gave him the required exposure to propel him to stardom. He has about 185 Tamil movies to his credit. He has also acted in movies in Hindi, Malayalam etc.

He is notable for his comedy roles pairing with actor Goundamani in the vein of Stan Laurel and Oliver Hardy who were popular during the late 1920s to the mid-1940s

Senthil is one of the most-loved comedians in the South Indian film industry. His appearance on the screen enlivened the audience replete with claps and whistles; and, when he paired up with Goundamani, the cheering doubled.

Goundamani and Senthil ruled the comedy world of Tamil cinema for over two decades. They established a place for themselves in the heart of their audience by entertaining them with their perfectly timed dialogue delivery and unsurpassed body language, and witty, rib-tickling comedy.

Senthil opted to act in movies irrespective of their budget. Once he said: “I don’t believe in movies with small budgets are large budgets. There are only two types of movies – good and bad.”

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The ARKOFF Formula and the Peter Pan Syndrome


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Myself .

By T. V. Antony Raj

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In 1954, James H. Nicholson, and Samuel Z. Arkoff, an entertainment lawyer founded American Releasing Corporation (ARC). They released their first film “The Fast and the Furious” starring John Ireland and Dorothy Malone in 1955.

From ARC, Nicholson and Arkoff launched a film production company, American International Pictures (AIP) in April 1954. Perceiving that other filmmakers were overlooking the lucrative teenage drive-in sector, AIP focused on producing several low-budget, youth-oriented movies. They exploited the up and coming juvenile delinquent genre with movies like Daddy-O, High School Hellcats, Female Jungle, Reform School Girl, Runaway Daughters, and Girls in Prison. Additionally, they distributed independently produced low-budget films bundled as double features, particularly appealing to the teenagers of the 1950s, 1960s, and 1970s.

In a 1980s talk show, Samuel Z. Arkoff spelt out his tried-and-true “ARKOFF formula” for producing a successful low-budget movie.

Action (exciting, entertaining drama)
Revolution (novel or controversial themes and ideas)
Killing (a modicum of violence)
Oratory (notable dialogue and speeches)
Fantasy (acted-out fantasies common to the audience)
Fornication (sex appeal, for young adults)

Soon after, the AIP promotion division envisaged a strategy known as “The Peter Pan Syndrome”:

a) A younger child will watch anything an older child will watch.
b) An older child will not watch anything a younger child will watch.
c) A girl will watch anything a boy will watch.
d) A boy will not watch anything a girl will watch.

Consequently, to capture the largest audience they zeroed in on the 19-year old male.

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