Category Archives: Photographers

The Elderly Hindi Typist of Lucknow and His Typewriter


Myself

By T.V. Antony Raj

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Ashutosh Tripathi
Ashutosh Tripathi, Journalist.

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Young Ashutosh Tripathi wanted to join the army, but his parents would not allow it. So, in 2011, he opted for journalism. Soon he realized that he was in the worst profession as some people who had taken to journalism as a career were earning as low as ₹ 2000 per month. However, some seniors encouraged him and said that someday he will feel glad that he chose the media, the fourth pillar of democracy, as his vocation.

Saturday, October 10, 2015, proved to be the lucky day for the news hungry Ashutosh. In the morning, while having breakfast at an eatery near the General Post Office (GPO) in Lucknow, he saw police sub-inspector Pradeep Kumar violating traffic rules by riding a motorbike on the bicycle track. He then saw the police officer kick a milk container of a vendor selling tea on the pavement. The budding journalist thought the action of the policeman was newsworthy.

When the sub-inspector started threatening the vendors and others plying their trade on the pavement outside the GPO and ordered them to leave, Ashutosh started clicking his camera for he wanted to expose the  brutality of the Lucknow Police.

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Sub-InspectorPradeep Kumar kicking the typewriter (Photo: Ashutosh Tripathi)
Sub-InspectorPradeep Kumar kicking the typewriter (Photo: Ashutosh Tripathi)

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While everyone left, the 65-year-old Kishan Kumar, a frail typist who has been doing Hindi typing outside the General Post Office for the past 35 years was slow to leave. The irate police officer kicked the old man’s typewriter.

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Sub-InspectorPradeep Kumar smashing the typewriter into the ground (Photo: Ashutosh Tripathi)
Sub-InspectorPradeep Kumar smashing the typewriter into the ground (Photo: Ashutosh Tripathi)

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With tears flowing down his cheeks, the elderly man collected the parts of his typewriter and tried to put them together. The sub-inspector then snatched the typewriter from the poor man who then with folded hands besieged the officer to spare his machine. But the arrogant policeman threw it on the road smashing it.

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Kishan Kumar picking up the parts of the damaged typewriter (Photo - Ashutosh Tripathi)
Kishan Kumar picking up the parts of the damaged typewriter (Photo – Ashutosh Tripathi).

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Sobbing, with tears hiding his sight, the old typist started collecting the pieces of his mangled typewriter.

When the sub-inspector saw Ashutosh taking photos of the incident he objected and ordered him to delete them. Ashutosh was bold and interjected. He asked the police officer how he could do this to an elderly citizen. The sub-inspector told him not to teach him but to do his job.

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Pradeep Kumar, the Police Officer who damaged Kishan Kumar's typewriter (Photo - Ashutosh Tripathi)

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As Ashutosh continued taking photos, the stubborn sub-inspector told Ashutosh that he could show the photos to anyone and even posed for him.

Ashutosh comforted the sobbing elderly typist who told him the machine was completely damaged and it was the source of his income.

Ashutosh Tripathi wrote the story for the newspaper Dainik Bhaskar where he worked. He also shared the story on Facebook hoping someone might take note of the incident and get the typewriter of the old man repaired.

After a while when Ashutosh logged into Facebook he saw his story had gone viral. Ashutosh’s brother tweeted the photos on Twitter which many celebrities retweeted.

Akhilesh Yadav, chief minister of Uttar Pradesh state, took note of this incident and ordered the suspension of the sub-inspector. He offered financial help for Kishan Kumar and gave orders to replace the damaged typewriter.

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Mr. Rajesh Pandey, SSP and Mr. Raj Shekhar, the District Magistrate of Lucknow presenting a new typewriter to Kishan Kumar
Mr. Rajesh Pandey, SSP and Mr. Raj Shekhar, the District Magistrate of Lucknow presenting a new typewriter to Kishan Kumar.

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Mr. Rajesh Pandey, SSP and Mr. Raj Shekhar, the District Magistrate of Lucknow met Kishan in person and tendered an apology for the police officer’s misbehaviour. They also presented him a new typewriter.

On Monday, two days after the incident, Kishan Kumar was threatened over the phone. The caller said that he had done a “bad thing”. After the threat call, the police have provided the necessary security to Kishan Kumar and are probing the threat call.

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Ivory and Ebony: Innocence in perfect harmony…


Myself

By T.V. Antony Raj

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Ivory and Ebony -Innocence in perfect harmony (Source: Facebook/The Eyes of Children around the World)
Ivory and Ebony -Innocence in perfect harmony (Source: Facebook/The Eyes of Children around the World)

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On the Facebook page “The Eyes of Children around the World” I saw this beautiful picture that has captured the innocence of children.

This photograph taken by an unknown photographer brings out the fact that children have no notion about colour. Let us hope that is not a fleeting moment in the lives of these two beautiful children.

Adults should strive to inculcate in their children love, compassion, and be tolerance towards others of different hues and not bejaded by a few opinionated people around them.

Let this picture be the world we and our future generations ought to build and live in.

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Photo of the ‘Syrian Boy’ Sleeping Between the Graves of His Parents


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Myself By T.V. Antony Raj

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A little boy from Syria sleeping between the graves of his parents. (Photo by abdulaziz_099)
A little boy from Syria sleeping between the graves of his parents. (Photo by abdulaziz_099)

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If you regularly visit your social media pages, you would have certainly come across this photo of the little Syrian boy covered by a blanket purportedly sleeping between the graves of his parents.

This heartrending image is a fake and is not related to the current happenings in Syria. However, the image went viral on the net because many people appropriated it on social networks to reflect the tragic situation in Syria without knowing it was a fake that originated not from Syria, but from Saudi Arabia.

One source claims  it has been viewed over a million times on Imgur. It evoked lots of sympathy. Here are some comments I came across on Reddit:

  • I think the part that got me right in the heart is the fact that he looks peaceful and happy. Like nothings wrong. God damn it, I just made it worse.
  • He must have already seen some horrible things, and it seems he is now in peace, sleeping next to his mommy and daddy. Even if they aren’t alive anymore, they are still his source of comfort. This is sad on so many levels.
  • The more you think about it the deeper it goes until you’re looking down at the planet saying, wtf!
  • ****. Why’d you have to call them “mommy” and “daddy” that just makes it too real.
  • It’ll be a whole different world when he wakes.
  • This is actually the saddest picture I’ve ever seen. I’ve seen a lot of fucking morbid, disgusting, blood-soaked pictures and I’ve never batted an eye since I’m so desensitized to it, but I can barely hold in tears as I look at this one. What that kid has experienced is the epitome of non-physical human suffering. His parents aren’t coming back, man.
  • In the Middle East death is not something we’re not used to, unfortunately. Most simply embrace it due to how difficult life is.
  • I didn’t see peaceful and happy, I see a kid who doesn’t know what to do. His world is gone. I’m 40 and can’t stand the thought of losing my parents, and when they go I’ll be crushed. 8-ish years old? Jesus.

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Photographer Abdul Aziz
Photographer Abdul Aziz al-Otaibi

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Blogger Harald Doornbos claims he unearthed the truth behind the photograph by interviewing the photographer Abdul Aziz Al-Otaibi, a 25-year-old Saudi national and published it on his blog

According to Harald Doornbos, Abdul Aziz lives in Yanbu al Bahr, a major Red Sea port in the Al Madinah province of western Saudi Arabia, about 250 kilometers northwest of Jeddah.

Abdul Aziz is a student at the Savannah College of Art and Design (SCAD), Savannah, Georgia in USA. His major is Photography. As a keen photographer brimming with ideas, Abdul Aziz as a project wanted to depict the irreplaceable love of a child for his parents, even  if they are dead. So, three weeks ago, he drove to the outskirts of Yanbu with his nephew. There after piling stones to resemble two graves, he bade his nephew lie between two ‘graves’ and covered him with a blanket.

Abdul Aziz  Al-Otaibi has the following social media accounts:

He posted the photograph on Facebook. He made it very clear on Facebook that the graves were not real. He even published pictures of his smiling nephew seated next to the graves. Abdul Aziz told Harald Doornbos: “I also published the backstage story. I just wanted to be sure that people drew no wrong conclusions.

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Screenshot of Facebook page -abdulaziz_099
Screenshot of Facebook page -abdulaziz_099

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Though Abdul Aziz published this creation as an art work, an American Muslim convert posted the picture on his twitter account @americanbadu, that has over 187,000 followers. He claimed the picture was from Syria and suggested that the Assad-regime killed the parents of the sleeping boy.

The image spreads like wildfire. Hundreds of accounts, especially in jihad circles re-tweeted the picture from @americanbadu. An Islamic NGO from Kuwait, @Yathalema, with 175,000 followers tweeted the image. 

Even the Syrian opposition leader Ahmed Jarba failed to verify the authenticity of the image and tweeted it on Friday, January 17, 2014. He too did not fail to accuse Assad on wretched fate of the boy in the  picture. Here is the image of Jarba’s tweet:

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Source: blog.foreignpolicy.com
Source: blog.foreignpolicy.com

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Jarba deleted the photo of the boy beside the graves about 30 minutes after posting it.

Harald Doornbos says: “By now the picture goes viral. Nobody checks if the image was indeed from Syria. I was the first reporter who called Al-Otaibi to ask.

In the meantime, photographer Abdul Aziz Al-Otaibi complained via Direct Message (DM) to @americanbadu: “Why did you take my picture and claim it as an image from Syria? Please correct it.

@americanbadu replied via DM: “Why don’t you just let go and claim it is a picture from Syria and gain a reward from God. You are exaggerating.”

Shortly after, @americanbadu removed his tweet. Nevertheless, the  irreversible damage was already done.

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Imagine Finding Me: Photographer Chino Otsuka Meets Herself as a Child


Myself . 

By T.V. Antony Raj

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“The digital process becomes a tool, almost like a time machine, as I’m embarking on the journey to where I once belonged and at the same time becoming a tourist in my own history.” – Chino Otsuka 

In today’s globalized world, each one of us yearn for a personal identity. Self-portrait in photography is one of the means to meet that goal.

Memoriography

A photographic exhibition titled “Memoriography” was run throughout the British Library from October 2 to December 30, 2008. It displayed works of Chino Otsuka, a London-based Japanese photographer. The exhibition was a sensory experience that encouraged visitors to relate their own memories with hers.

In 1982, at age 10, Chino Otsuka moved from Japan to the United Kingdom. She left the strict traditional Japanese school system for Summerhill School in Suffolk, England. There, for the first two years, she attended no lessons at all. When she left the school she had certificates in English, Chemistry and Photography. She studied photography at the University of Westminster. She received a post-graduate degree in Fine Art Photography from the Royal College of Art.

She has exhibited her work in the UK, Europe and Asia. She had a major solo show at Huis Marseille Museum for Photography, Amsterdam.

Chino Otsuka’s adolescent experience in the new country – its people, language and customs – shaped her writing. She has published four books in Japan. Her first autobiography published at the age of 15 was much acclaimed.

Imagine Finding Me

Chino Otsuka uses photography and video, to explore the seamless relationship between time and lingering memory.

Chino Otsuka wondered what it might be like to meet herself as a child. Her series “Imagine Finding Me” consists of twelve digitally manipulated composite double self-portraits of her present and past selves. She visits her younger self by digitally amalgamating recent photographs of herself, taken in 2005 and 2009, with photographs of her journeys with her parents when she was a child. This evokes a subtle and wistful realization of the transience of time.

Her choice of transitional objects such as parks, bridges, vacation spots, hotels, trains, etc., was deliberate. She says:

“things are not quite past or present, or somewhere in between… that has reflected from my upbringing, where I’m neither here nor there, and I’m not really Japanese or English.”

The series “Imagine Finding Me” has become her most exhibited work shown over 14 countries.

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